Showing posts with label Midsummer '14. Show all posts
Showing posts with label Midsummer '14. Show all posts

Thursday, July 31, 2014

Midsummer '14 Day 31: The The - Lonely Planet

DAY THIRTY-ONE: THE THE - LONELY PLANET

The final day! Nothing has changed since three years ago when I did my first Songaday: The The is still my favorite band. Something about Matt Johnson's voice and spirit and mind is enchanting. Lonely Planet was the last song on Dusk, which is my second-favorite album after NakedSelf, which tragically has almost no good videos online. I really wanted to do December Sunlight. I still love Dusk though, it's much slower overall and very introspective and focused on love and loss.

Thanks for coming along with me this month on another Songaday! Midsummer '14 was a lot of fun. You're all great and I love doing these. Hopefully the blog won't seem to be dead once the daily posts stop, as I'll be around!

G'night folks, hope your July was great.
End Recording,
Ego.

Midsummer '14 Day 30 & Watch Dogs Revew: Rise Against - Help is on the Way

Not late so much as delayed, I was writing this thing and the deadline slipped by.
DAY THIRTY:  RISE AGAINST - HELP IS ON THE WAY

This song is by Nickelback-clone Rise Against. Rise Against is not a particularly good or bad band - they are at best competent and at worst trite and dull. This song is among their competent ones.

So if they're insignificant, why do we care? Because it's also one of the only interesting songs on the Watch Dogs soundtrack.

VIDEO GAME REVIEW: WATCH DOGS
Watch Dogs is a Ubisoft cross-generation video game that came out in May. It was met with great anticipation after solid showings from trailer footage and pre-release hype. Of course this is all a wind-up for the punchline:
The game sucks.

Okay, that's not precisely what I mean. Instead, the game passes every basic competence test while failing every single test for excellence. The game is thoroughly and universally mediocre.

Let's start with the all-important plot. I didn't get all that far, through the middle of Act 2 before returning my rental copy, so I won't judge it based on the ending but based mostly on the impressions the game gives to a new user.
You are Aiden Pierce. You were a dude who has a criminal past, but you've tried to put that behind you. Then all of a sudden your beloved niece is the victim of seemingly random violence in a car attack that you managed to live through. You get involved with the underworld again to try and hunt down the culprit, despite the ubiquitous surveillance.
Did I mention the surveillance? The setting is a near-future Chicago in which a single system controls watches every part of Chicago, maintaining a rigorous database of every single person in Chicago. Aside from the fact that even in the growing surveillance-state nature of the states, this would not be the route taken (as it provides the same weakness the game preys on - a single exploit would unlock the whole thing), it's aware to an almost silly level. In fact, scanning every single person in the city, the only one who comes up "unknown" is, well, Aiden Pierce. Even though his absence is kind of conspicuous - every single cop should immediately know to stop him if he's in view of any camera.
Aiden is a hacker (though a rather poor one if I do say so, in spite of how great we're told he is), and has gained access to the system that now controls literally everything in Chicago. The system, dubbed CTOS, controls every single digital interface in the city, and Aiden has cracked it. Hooray.

To hunt his niece's killers, we're opened into the game with him beating and terrorizing a man who ultimately doesn't know much of anything, hanging out with a renowned fixer. He seems to spout some kind of "I'd rather not kill" philosophy, which is immediately thrown away. In this game, you will kill hundred of people - ordinary gang members, agency workers, security forces, cops (an infinite supply of cops), anything. The game's tagline is "Hacking is your weapon" but it's not, your collapsible baton and  your silenced pistol and your sniper rifle and your grenade launcher and your automatic shotgun and your grenades are your weapons.
Does that sound like a lot of high-grade guns for later in the game? Nope. I had 'em three missions in, because everything opens up immediately. No, wait, actually things open up halfway through Act I, then there's literally nothing that seems to be locked off. You can do all the side missions, unlock everything, get every weapon and car, reveal the whole city, do literally everything that isn't directly a story mission. There's no real sense of the game pacing things out.
And if things seem like they're expensive, well, no problem! One of Aiden's tricks is that he can drain the bank accounts of the people he meets on the street! Not everyone though. Only some people can be drained, and they're usually the people with, like, one or two hundred in their account at most. You're taking the poor for what they have. And since you get a little blurb of insight into the life and occupation and income of every single person you see, you feel bad for people. Especially when I'm told that I'm robbing people in situations like "Taking out a second mortgage" and "Recently laid off" and "coming from family's funeral." Maybe its just me, but when I was playing this with friends, there was a trend toward the people you can steal from already being down on their luck.
And this isn't just something you the player know - Aiden knows it too. So what do we have so far? Aiden is a murdering vigilante using the mass surveillance but not breaking it down, robbing ordinary people down on their luck to fuel his crusade against what at first could only have seemed like random violence.
So he acts like he's doing this to bring peace to his niece's mother and brother, the latter of which has PTSD as a result of the loss. Oh, but he's doing it against his sister's wishes, who just wants him to let it go so they can heal and try and move their lives forward. Instead he gets them caught up in it and makes targets out of them.
And Dead Cell! Dead Cell is fictional Anonymous, hacktivists against the surveillance state. Oh except these guys actually seem to be behind virtual (and perhaps physical) terrorism.

So okay. Aiden is a vigilante, willing to kill anyone and everyone in his way to get vengeance for a single murder, falling in with virtual terrorists while taking advantage of the surveillance state they are also fighting, working with criminals who are mostly killers themselves, robbing average civilians to buy automatic weapons and fancy sport cars, and putting on a batman voice and pretending to be in the right this whole time.
And this is the protagonist.

Aiden is not a likable character by any stretch of the word. He doesn't even have that lovable charm of most anti-heroes and he's an asshole to his former friends (he has no current friends). In any other game, this is the man you're stopping!
The game tries to wrap itself in an anti-surveillance-state PRISM-is-bad message, and while I didn't see the end myself, I'm told it kinda handles it ham-handedly.

So what about the gameplay? Is it fun at least? Not particularly. Lots of driving everywhere, except the driving's not particularly fun. The controls are loose and the for a seemingly-realistic traffic flow, the lack of turn signals alone kinda screws with the flow. Turning is a bear, even with the best-handling tightest-turning motorcycles. I stopped using cars fairly quick and relied on just motorcycles - much easier, plus you can just ignore the traffic and blaze your own path through the streets. Hell, getting hit isn't even that bad, you just get thrown from the bike.
You can hijack every single car in sight, but because the game wants you to use the phone's Cars On Demand app that orders a vehicle to near your location (for free at least) there aren't very many parking spots let alone cars parked in them. Chicago is apparently a city of people driving but never parking. And because the Cars On Demand app always puts it somewhere in a lot or on the street near you but not right AT you, it's often a hassle.

The stealth gameplay wasn't that bad, but not exceptional. I'd play, well, any other cover-based stealth game as soon as Watch Dogs. Even The Last Of Us, which while I loved its plot and characters found its gameplay slow and unsmooth, was far more effective. I personally made it a bit harder on myself because I didn't like killing people in Watch Dogs (I interpret the melee takedown as nonlethal), but even if I wanted to use my guns there's only one silenced pistol as well as a silenced uzi that's hidden behind a pretty extensive unlock requirement.
And god help you if the cops find you. They're everywhere, spawn from everywhere, are fast and smart and call in helicopters pretty quick, and it is literally impossible to fight your way out, as they spawn infinitely until you hide and they give up.

The soundtrack is varied, but none of it is particularly noteworthy. Passable, but not exceptional. None of the voice acting is awful, though Aiden's gravelly grumbling is just, like, whatever.

The graphics are okay, though the debacle with the PC version's graphics is just ridiculous. Even on next-gen they're really not the revolution they'd been talking about, but they're still good.

So the plot's early game sucks, the protagonist is supremely unlikable and hard to root for, the driving sucks, the stealth sucks, the guns are whatever, the soundtrack is whatever, the graphics are good but not exceptional, is there anything I really like about the game?

Yes. The minigames.
Now, none of the minigames are killer apps that make the game worth its price tag, but they're nice pieces to mitigate the boredom. A decent shooting minigame, but that one's only okay. The highlights are:
* The poker minigame. It's basically a complete 4-person poker simulator. It's fairly robust, and while there are some tricks to abuse it into making your odds slightly better it's a decent model for someone who just wants to spend some time playing poker. I played it all the way through twice, the second time winning, in order to get its unlock, the best motorcycle in the game.
It is rather lengthy though, and some of the required animations are annoyingly long.
* The chess minigame. Unlike the poker game, it's not just a chess simulator. It's instead a series of chess puzzles, working within a situation and making best moves. It's pretty fun actually, a good puzzle.
* The hacking minigame! In general, the game's use of hacking is superficial - making distractions, looking through cameras, moving some cover around. The main minigame itself though is a pretty involved puzzle that takes some real thinking, especially the more you go through. A full puzzle game for 3DS that expands upon the concept and explores it fully and finds the extent of its challenges would be really interesting, or a low-cost Steam release. I'd buy it. As an occasional and only slightly-explored diversion to the main slog, it's fun but not a selling point.

So yes. Watch Dogs has points of occasional quality that shine through the dull mediocrity, but they're far too few and far-between. Overall, I can't warrant the game at its current price, or even half the price really. A $20 game? Maybe. It'd make a good timekiller. Really though you'd be much better off buying GTAV or Saint's Row or Assassin's Creed or any of the other comparable-but-better alternatives to the game.

There's my opinion. Later folks, see you later today in the final installment of Midsummer Songaday!
End Recording,
Ego.

Tuesday, July 29, 2014

Midsummer '14 Day 29: Lime of the Season - I Like, Like Like You

DAY TWENTY-NINE: LIME OF THE SEASON - I LIKE, LIKE LIKE YOU

Brandon Strader made this remix of an array of The Legend of Zelda: Oracle of Seasons songs for Lime of the Season, Hylian Lemon's remix album of that game. A follow up to HL's previous album remixing Oracle of Ages (Essence of Lime), this one doesn't disappoint. This song isn't actually my favorite from the album (check DJ Mokram's "Quicksands") there's a very limited selection uploaded in video right now.

I love Oracle of Seasons. Not only was it my first Zelda, it was one of my first games period. I have extremely fond memories of the game, and it's got a permanent place in my heart. When I talk about favorite Zeldas I put Wind Waker first, but I always make the point that the Oracle games aren't even in the same running, they get to jump the line.

Check out LIME OF THE SEASON and ESSENCE OF LIME!

End Recording,
Ego.

Monday, July 28, 2014

Midsummer '14 Day 28: Avicii - Addicted To You

DAY TWENTY-EIGHT: ADDICTED TO YOU

I listen to about half of Avicii's album True a lot. Some of the stuff is just whatever, but other bits are great. I wish Levels was on it. Wake Me Up is a radio powerhouse and hasn't stopped getting daily radio play on basically all the stations I listen to for over a year - it's truly amazing how much staying power it has. I think Avicii hit the goldmine of genre-blending, carrying more pop-styling into his EDM tunes and augmenting with folk sensibilities and soul-inflected voices (this one, for example, features Audra Mae but reminds me a lot of Adele). His constant parade of guest vocalists on the album gives a wide variety of sounds, which acts both for and against him but largely for.

I credit Avicii with being one of a small handful of names largely responsible for the mainstreaming and pop-ification of EDM and house, which may not appeal to some people but does to me.

End Recording,
Ego.

Sunday, July 27, 2014

Midsummer '14 Days 2, 27: Hitman Blood Money, Bobby Hurman

This time's missed day wasn't actually my fault! The servers that manage the university ePass for my email (which also manages my blog) were bugged out until just a little bit ago, so I couldn't get in here to post this D:

DAY TWENTY-SIX: HITMAN: BLOOD MONEY - YOU BETTER WATCH OUT

I don't think Jesper Kyd's Hitman soundtracks are as good as his middle Assassin's Creed soundtracks, but they're still pretty good.

DAY TWENTY-SEVEN: BOBBY HURMAN - FORSEENFUSION
ForseenFusion from Immaculate Restitution on Myspace.
Bobby Hurman aka Immaculate Restitution aka 9inchesoffun is a pretty chill musician. I met him on Sheezyart many many years ago. Sadly, Sheezy has been closed for remodeling for years, so I actually have songs of his saved to my hard drive that don't exist elsewhere on the internet. It took a good bit of digging to even find this one, which I admit was one of my favorites. I wish Crystallinity was still up. Maybe I'll upload it myself sometime.

End Recording,
Ego.

Friday, July 25, 2014

Midsummer '14 Day 25: of Verona - Match

DAY TWENTY-FIVE: OF VERONA - MATCH

I love of Verona. Indie rock fronted by Mandi Perkins, focusing on an ethereal ghostly resonance to their tone? Hell yeah, I'm in. Castles, Match, Dark In My Imagination, Take Me, Centipede, The White Apple, We Are Not Alone Here, yeah.

End Recording,
Ego.

Thursday, July 24, 2014

Midsummer '14 Day 24: Everything But The Girl - Walking Wounded

DAY TWENTY-FOUR: EVERYTHING BUT THE GIRL - WALKING WOUNDED

Oops I'm a good-for-nothing who can't keep track of the time of day, enjoy some chill downtempo.

End Recording,
Ego.

Wednesday, July 23, 2014

Midsummer '14 Day 23: The Megas - History Repeating Pt 1

DAY TWENTY-THREE: THE MEGAS - HISTORY REPEATING PT. 1

Been listening to a lot of The Megas these past few days. They're a Mega Man cover band that writes lyrics and radically arranges the songs - and for once, the lyrics are good! Most video game things with lyrics really really suck, they're too on the nose or just don't feel right.
The Megas haven't always been awesome. Anything before Get Acoustic (the acoustic version of their MM2 themed album Get Equipped) is weirdly out of tune. Get Acoustiic is awesome though, and they seem to have figured out how electric guitars work by the time they got to History Repeating Blue. History Repeating Red is also out now, and you should go listen to it!

End Recording,
Ego.

Tuesday, July 22, 2014

Midsummer '14 Days 20, 21, 22: Queen of Hearts, Arty, Cryoshell

Sorry about the lateness! Due to poor time management, and then due to life commitments and helping friends with stuff, I'm now two days late. To make it up to you, here's some of the best gems I've been holding.

DAY TWENTY: QUEEN OF HEARTS - FREESTYLE

I only discovered Queen of Hearts right after starting this month's Songaday. She reminds me of a different entry into the subgenre forged by Lady Gaga, with a strong female lead doing pop-style vocals over an otherwise dance-y song. I love Queen of Hearts' whole album, but especially check out: Neon, Secret, Colourblind, Surrender, Overcome By the Rhythm.

DAY TWENTY-ONE: ARTY - MUST BE THE LOVE

I don't know much about Arty. I know he's a pretty big producer, responsible for a lot of remixes and participating in a lot of compilations, and other releases under some aliases like Alpha Nine. He's Russian - that's pretty cool, we don't have many star DJs out of Russia.
Nadia Ali though, she's a superstar. I've been a fan since her work as iio, and she's one of the most powerful and memorable voices in trance.
This particular remix was featured in Trance Is Life Episode 43, one of my favorites.

DAY TWENTY-TWO: CRYOSHELL - CLOSER TO THE TRUTH

Cryoshell is widely known as an Evanescence clone, but I actually prefer Christine's voice to Amy Lee's. It has more texture to it, which is a weird thing to say about a voice I guess. The lyrics are definitely in the angst zone, but I let myself indulge in that sometimes.
My Monsterhearts game starts Season 2 today! I have a disc full of albums I use to get me in the mood that's led by Cryoshell (followed by Halestorm, Ke$ha, Linkin Park, Lacuna Coil, The Birthday Massacre, and the Underworld Awakening soundtrack).

End Recording,
Ego.

Saturday, July 19, 2014

Midsummer '14 Day 19: Roland Orzabal - Ticket to the World

DAY NINETEEN: ROLAND ORZABAL - TICKET TO THE WORLD

You probably know Roland Orzabal better as half of Tears For Fears. However, this is from his only solo album released under his own name, Tomcats Screaming Outside. It's actually a great album! I'm not that into a lot of Tears for Fears stuff (its age shows to me) but this feels suitably modern. I like it a lot.
He had the unfortunate coincidence to release the album on 9/11/2011. As you can imagine, more was going on than people paying attention to his album.

End Recording,
Ego.

Friday, July 18, 2014

Midsummer '14 Day 18: Triple-Q's Gangnamcore

DAY EIGHTEEN: TRIPLE Q - GANGNAMCORE

I'm not sorry. This wasn't on my original list but this came out today and it's glorious. I've was drawn into the alien world of bizarre and comedy mashups by Triple-Q's Psybrid Style, and this open collaboration of PSY songs mashed up with everything under the sun doesn't disappoint. Some of the pieces are funny, hilariously so. I think a lot of Psybrid Style was maybe better mashed up with the originals, but there's some real gems in that playlist. And what a playlist - 107 entries from 40 artists. The ones Triple-Q begins and ends with, his own "#SELFIE is a new and original song which doesn't plagiarize at all" and "TENGEN OPPA GANGNAM LAGANN!" are really good independently. There's a couple more Linkin Park mashups in there, multiple Metal Gear Rising ones, and some Kill la Kill ones that'll probably make it into Cut, Paste, Kill. Also lots of anime. You can pick which ones are the comedy and which ones are the quality for yourself.
Thanks for organizing the whole thing Triple-Q.

End Recording,
Ego.

Thursday, July 17, 2014

Midsummer '14 Day 17: Star Citizen - Opening & Main Theme

DAY SEVENTEEN: STAR CITIZEN - OPENING & MAIN THEME

Star Citizen is a thing I know nothing about. Enjoy the sci-fi tunes.

End Recording,
Ego.

Wednesday, July 16, 2014

Midsummer '14 Day 15 and 15: Vas - The Reaper and the Flowers and Angel City - Stay

The 15th was a very busy day for me. The 16th will also be busy. Hopefully you don't mind me merging the posts for simplicity.

DAY FIFTEEN: VAS - THE REAPER AND THE FLOWERS

Vas is one of Azam Ali's many little projects, though my favorite continues to be Niyaz. Vas is with Greg Ellis of Juno Reactor, and is heavy on the haunting side of things. It is often compared to Dead Can Dance.

DAY SIXTEEN: ANGEL CITY - STAY

Angel City is a pair of DJs and frontwoman Lara McAllen. The electronic backing tunes are pretty great, though the lyrics are a bit saccharine at times. Most of what they do is covers of other dance songs.
It should be noted that Australian band The Angels is called Angel City in the US. This isn't them. Those guys, while influential, are definitely not my style.

End Recording,
Ego.

Monday, July 14, 2014

Midsummer '14 Day 14: Amethystium - Meadowland

DAY FOURTEEN: AMETHYSTIUM - MEADOWLAND

Oops, this is almost too late. My bad.
I don't know anything about Amethystium as a group. They make ambient-type stuff that reminds of a good soundtrack for a fey-heavy fantasy setting.

End Recording,
Ego.

Sunday, July 13, 2014

Midsummer '14 Day 13: Uffie - ADD SUV

DAY THIRTEEN: UFFIE - ADD SUV

Say what you want to about Uffie being a precursor to Lady Gag, I think they're pretty distinct in style. Either way, this French synth-pop artist has a pretty good album, but I really enjoy this song featuring Pharell Williams. And I don't usually like Pharell Williams!

End Recording,
Ego.

Saturday, July 12, 2014

Midsummer '14 Day 12: Giana Sisters Twisted Dreams - Ingame 1

DAY TWELVE: GIANA SISTERS TWISTED DREAMS - INGAME 1

Some BGM from the pretty interesting Giana Sisters: Twisted Dreams soundtrack. Since you can jump between the light and dark sister at any time (whose positions are linked but are separated into light world and dark world), there's two tracks for each level. One is by the game's composers, the other is the same track done by Machinae Supremacy, leading to the jumping back and forth seamlessly integrating with the soundtrack. It's really quite clever, and works really well. The game itself isn't a masterpiece, but it's pretty interesting and has some cool ideas, and has moved far beyond its roots as a Super Mario Bros clone.

End Recording,
Ego.

Friday, July 11, 2014

Midsummer '14 Day 11: Flexstyle - Unvanquished (Prologue)


Uh oh, I'm creeping later and later into the day with these postings. I've been down that road before, it leads nowhere good.

Flexstyle is cool. I'm most familiar with him from the video game remix circles, but also know of his game soundtracks and his personal albums. This is the latest full personal album, released in 2011, Eye of the Storm. I really like the album. It goes a lot of interesting places for electronic music.
This song in particular gives me Bit.Trip Runner 2 feelings, and that's never bad. Keep listening to the playlist, and if you like what you hear you should buy his album!

End Recording,
Ego.

Thursday, July 10, 2014

Midsummer '14 Day 10: Ellie Goulding - Ritual


Halcyon Days is the definitive Ellie Goulding album. It contains her radio-hit singles Lights and Burn and Anything Could Happen, her collaboration with Calvin Harris I Need Your Love, multiple versions of Hanging On, her cover of Alt-J's Tessellate (good, but not half as good as the original), and a huge sampling of her other stuff that wasn't quite mainstream-y enough to make it to the radio.
Ellie Goulding is a bit of a treasure. She manages to walk this very fine line where she's got high production value, celebrity marketing ability, and dips into the pop and electronic wells while at the same time bringing the raw force of an indie act. She plays like a half-dozen instruments, and her voice has this breathy special quality.
I thought she was pretty good until I got my hands on Halcyon Days. The stuff they play elsewhere really is just one side of her music. Halcyon, Figure 8, In My City, Goodness Gracious, You My Everything, Under Control, and, of course, Ritual. I love this song.

As a side note, this album was a major part of my listening through the past few weeks of my Monsterhearts season and it emotionally resonated with the bleed I was getting out of that game.

End Recording,
Ego.

Wednesday, July 9, 2014

Midsummer '14 Day 9: Ar nosurge - Don't Run in the Train


I've established in the past that while I know jackshit about the noSurge games (I think they're raising/life sims in the Atelier universe?), I love the soundtrack to Ciel noSurge and the sequel doesn't disappoint. The whole thing is varied and fun and folksly and tech-y and fun.

I really recommend checking out the whole soundtrack for both games.

End Recording,
Ego.

Tuesday, July 8, 2014

Midsummer '14 Day 8: Gunpoint - Cold Halls and Footfalls (Crosslink)

DAY EIGHT: GUNPOINT - COLD HALLS AND FOOTFALLS (CROSSLINK)

I haven't played Gunpoint. I don't even think I own it yet. I do, however, own its soundtrack, which is great and jazzy and synthy. It's just all around a good, fun-feeling soundtrack.

That's it folks. Extra short today!

End Recording,
Ego.